Mariana Tocornal
/ Statement Mariana Tocornal explores the connection between everyday objects and emotive, personal memories, as they become unusable over time. She primarily uses porcelain, sewing, and other objects in her recent works, employing a precise technique of plastic reflection that delves into the construction and deconstruction of the objects. The embroidery and sewing in her […]
Leo de la O
/ Statement This art series showcases grayscale paintings and drawings depicting abstract geometric structures. Gabriel draws visual inspiration from Spanish Baroque painting, vintage photography, and science, and his work is influenced by Platonic philosophy, esotericism, and science. Recently, his artworks have delved into two different themes: abstract geometric forms in landscapes, combining architectural elements […]
Gabriel Soto
/ El Salvador, 1993. Statement This art series showcases grayscale paintings and drawings depicting abstract geometric structures. Gabriel draws visual inspiration from Spanish Baroque painting, vintage photography, and science, and his work is influenced by Platonic philosophy, esotericism, and science. Recently, his artworks have delved into two different themes: abstract geometric forms in landscapes, […]
Denise Treizman
/ Santiago, Chile. Statement Chilean-Israeli artist currently based in Miami, FL. She creates sculptures and installation works by combining found objects and ready-to-use materials with colourful, textured and sometimes luminescent fabrics. Through a practice of collecting and reusing, he accumulates materials with no specific purpose in mind, except to have them on hand and available […]
Antonio Castillo
/ Santiago, Chile. Statement Antonio Castillo’s creative work stands out for its versatility in narratives, techniques, and procedures. Each action he takes involves time, space, and body, exposing him to stimuli in constant transformation. Using sculpture, painting, drawing, and animation, he explores various «supports» that allow him to encompass a diverse local and foreign imaginary. […]
Andres Lima
/ Santiago, Chile, 1985. Statement Andrés Lima develops his artistic work primarily through research and exploration of various landscapes and territories linked to a fractured historical past. His main means of approach include video, visual essay, photography, and cinematic journeys. In his recent individual projects, he has made the research process a fundamental element in […]
Ernesto Crespo
Ernesto Crespo / Chile, 1977 Statement Ernesto Crespo explores the concept of repetition in his work, creating subtly different images to encompass a broader reality. His work lies at the intersection of cinema and painting, achieving something that painting alone cannot: the passage of time.The central concern of Ernesto is this notion, from which other […]
Esteban Amaro
/ Chile, 1977 Statement Esteban Amaro’s photography is an exploration of the boundaries of time, space, the 4 elements, and immensity. His focus emphasizes experimentation, contemplation, research, ancestral cultures, and rituals, resulting in a hypnotic and transformative experience. Through his art, the artist manages to encompass both the material and the immaterial, altering the viewer’s […]
Sebastian Riffo Montenegro
Chile 1980. Statement Sebastian Riffo-Montenegro artistic investigation is based upon the study on the existing relationship between image, message and receptor. By applying theories from anthropology, sociology and consumption behavior spheres, the artist’s technique accomplishes to express an elaborated critique on the culture of consumption and the creation of societal beliefs. The work’s defies and […]
Candela Bado
/ Montevideo, Uruguay, 1991 Statement My work examines the process of unraveling colonialism’s legacies. I investigate the genealogy of visual languages associated with patrimony in order to explore the possibility of decolonizing our relationship with objects that carry cultural value. Growing up in a country which has obliterated its layered identities by focusing exclusively on […]
