Know for his sculptural time-based installations, Samuel Domínguez’s practice explores new experiences with otherworldly landscapes and technological conceptions of
ecosystems. In “What Happened After I Left” (2024), Domínguez departs from a research carried upon Chilean aquatic vascular plants that have migrated to other territories, such as the ecosystems in Florida. The exhibition then conceives a series of approaches to imaginative semi digital landscapes that produce a dialogue between the universe of
aquatic plants and water gardens.

“What Happened After I Left” comprises the fourth solo exhibition and first in the USA by Domínguez, and his first show in 2024.

Samuel Domínguez was born in Santiago, Chile. Studied at Maryland Institute College of Art (USA), Universidad Finis Terrae (Cl) and MA Sculpture at the Royal College of Art (UK).
His work has been exhibited in Chile, Argentina, USA, Italy, South Korea and Croatia. He has participated in lectures at the Whitechapel Gallery in London and Galería Patricia
Ready in Santiago. His work has been displayed in museums such as the Museum of Visual Arts (MAVI) and the Contemporary Art Museum (MAC), both in Santiago. He has
lead research and curatorial projects for Galería Patricia Ready in Santiago and the Royal Academy of Spain in Rome. In 2021, he represented Chile at the ArsElectronica Festival in
Austria, with the Fundación Mustakis and ALMA Observatory. In 2022, he was shortlisted among two other artists for the Frieze Sculpture commission at OWO in London. He currently lives and work in London, UK, under the Global Talent scheme granted by the Arts Council England.
His work is part of renowned public collections, such as the NUMU Museum by Engel Foundation, the Museum of Visual Arts (MAVI) in Chile, the Ministry of Culture of Chile
and Colección Ca.Sa. of Latin American Art.